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about

My interest in experimental and electronic music started in my early teens with the music of Delia Derbyshire and Daphne Oram of the BBC Radiophonic Workshop and later by F. C. Judd who produced music using his own early design of a synthesizer, electronic and audio test equipment and circuits he designed himself. I started of in experimental music using tape recorders and moved on to synthesisers in the mid 70s.
I like to make music that sounds like it was made with a machine, both ambient and mechanical sounds.
This track started life as a short piece trying to emulate some audio chaos in representation of the sub atomic world. With further development I tried to give the impression of movement through an apparent solid surface through the atoms and particles and finally quarks followed by a gradual move back into the outside world.
I used a clone of the ARP 2500 synthesiser. I have always been fascinated by this very rare system. Especially the 1047 multimode filter and this system has a recreation of it. It’s kind of krell patch with some controlled unpredictability through the use of the 1050 mix sequencer which is a sequential mixer allowing signal to pass or not according to a preset sequence.

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from Modulisme Session 075, released November 18, 2022

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Modulisme Marseille, France

Modulisme (translates Modularism) is a media supporting leftfield Electronic music (giving priority to Modular Synthesis but not only). Providing ressources/interviews, a radio program aired via 7 antennas, and above all label-like streaming music for you to listen to… ... more

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